You've done the hard work. The song is there. What's missing is the final push — more punch, more clarity, a sound that hits the way you hear it in your head.
A sound that holds up next to your references. That translates on every speaker. That's ready for the label, the playlist, the release.
I work in simple, effective steps that serve the song. No overcomplication. No twenty-plugin chains. Just honest ears and a clear process.
WHAT I OFFER
MIXING
For tracks that have the emotion and energy but need more punch, space, and clarity. The arrangement is done — but the low end is fighting the kick, something feels flat, or it's just not hitting the way you hear it in your head. I bring out what's already strong and clear the rest.
STEM MASTERING
For mixes that are 90% there but need surgical control in the final stage. You send me grouped stems (drums, bass, synths, vocals) so I can adjust the balance before the final polish — more flexibility than a stereo master allows.
MASTERING
For finished mixes that sound the way you want them — now they need loudness, translation across systems, and the polish to compete. If you're still hearing balance issues, you probably need mixing first.
WHO THIS IS FOR
You're past the bedroom phase. You have your sound, your references, and songs you believe in. You've realized you can't be the producer, the mixer, and the objective ear all at once anymore.
You're ready to hand off the final mile to someone who respects what you built.
This is not for you if: You don't have a vision for your music yet — or you're hoping mixing or mastering will figure it out for you.
The best projects start with trust.
ABOUT ME
I spent years as a mixing engineer and studio assistant for Alexander Kahr — one of Austria's most respected producers. That's where I learned how professional rooms actually work: how to hear arrangements, how to run a session, and how to stay calm when something isn't landing yet.
Most engineers at this level learned on YouTube. I learned in the room.
Today I mix and master electronic and pop records with the same approach: punch first, clarity second, no detours. I care about impact — but never at the cost of the song's character.
I've worked with artists including Like Mike, Terry Golden, and Alexander Eder.
WHAT IT FEELS LIKE TO WORK WITH ME
I give feedback the way a good friend would — clearly, directly, and without faking anything. If something isn't working, I'll tell you. If it's already strong, I'll tell you that too.
The room is calm but focused. There's space to laugh. There's also space to actually work.
All I ask is that you show up prepared. We'll do the rest together.
PORTFOLIO
Powerful kicks. Clean low end. Strong synths. Melodies that have somewhere to go. Here's what that sounds like.
WHAT ARTISTS SAY
Real feedback from real projects.
CONTACT
Got a track you're excited about? Tell me what you're working on and what you need. Let's do a listening session together — I'll give you honest feedback and we'll see if it's a fit.
THE ROOM
Where the work gets done.
